Annie Errez – Writing Music for Production Libraries

*** Proof of Product ***

---

Exploring the Essential Features of “Annie Errez – Writing Music for Production Libraries”

Course Lessons

• Course Preview
• Introduction
• The industry
• Library music
• Get paid from library music
• Submitting demos and being successful
• Recap
• Examples of library music tracks
• End stages

Live Q & A

• Q & A

Meet Your Teacher
Annie Errez

Both a well respected DJ and producer based in Leeds, Annie Errez has been plying her trade across the North of England and around the UK for quite some time after becoming a resident at the infamous Mint Club back in 2008 and long running resident of System.

About This Course

Some high-end libraries may master your work, Royalty free libraries expect complete mixed and mastered tracks. Annie discusses these options as well as Metadata & Track Names. 

Production libraries can be a good source of income for music producers,Production music can be used for a variety of media applications; Podcasts, Games, Radio Ads, Jingles, Sound FX, Film Scores and many more. Annie discusses the applications and how you can make money from them.

You will learn:

• What are music libraries?
• How to get paid from music libraries
• Ways to submit music 
• Various media applications for library music
• Choosing an album style
• Picking reference tracks
• Technical and Creative considerations
• Mixing and Mastering
• Metadata and Track Names

Lessons: 

1. The Industry
Production music can be used for a variety of media applications; Podcasts, Games, Radio Ads, Jingles, Sound FX, Film Scores and many more. Annie discusses the applications and how you can make money from them.

2. Library Music 
A fast rising music tool due to the high number of streaming applications, there is now more air time to fill than ever, hence the importance of library music. 

3. Getting Paid from Library Music 
There are numerous ways to monetize from library music; royalties, licensing fees and more can be a good side income for music producers or a sole income for sound creators. 

4. Submitting Demos & Being Successful  
Annie explains how to submit demos to Music Libraries, she highlights the various points to increase your success rate within these libraries. 

5. Recap & Introduction 
Discussing stock and production music, Annie recaps on ways you can get music onto online libraries that media professionals can browse.

6. Examples of Library Tracks 
Annie shows us examples of tracks she has written for the intention of getting them onto music libraries. 

7. End Stages

Please see the full list of alternative group-buy courses available here: https://lunacourse.com/shop/