*** Proof of Product ***
Exploring the Essential Features of “Jessica Dimmock – Use Your Photography Skills to Master Videography”
- 37 Video lessons in HD
- 10h 6m of class content
LESSONS
1. Class Introduction
2. Challenges Of Moving Into Videography
3. Difference Between Photography & Videography
4. Videography Should Be As Beautiful As Photography
5. Add Videography To Your Business
6. Importance Of Movement & Stabilization
7. Gear To Stabilize Your Camera
8. Demo Of Shoulder Rigs
9. Video Examples Using Shoulder Rig
10. What’s In My Travel Bag?
11. Demo: Monopod & Tripod
12. Story Types That Lend Themselves To Video
13. Example: Engaging Stories In Intros
14. Story Structure Exercise
15. Example: Story Building
16. Shooting Video For An Editor
17. Make Great Video Transitions
18. Shoot Video For Beauty
19. Video Examples: Intentional Movement
20. Importance Of Great Sound
21. Options For Recording Sound
22. XLR Inputs, Shotgun & Lavaliere Microphones
23. The Art Of The Interview
24. The Versatility Of Lavaliere Microphones
25. Demo: Lavaliere Microphone
26. Camera Choice For Videography
27. Camera Sensors
28. External Recorders
29. DSLR Vs Non-DSLR
30. Lens Choices For Videography
31. Organization: Log Footage On Computer
32. Example Footage Log Sheet
33. Categories For Logging Footage
34. Finding Inspiration For Videography
35. Funding Opportunities
36. Transition Photography Skills To Videography
37. Q&A
CLASS DESCRIPTION
Use Your Photographic Eye To Become A Videographer.
Just because you’re a photographer doesn’t mean you can’t shoot compelling video. If you have a digital SLR, you have the equipment. If you’re a photographer who loves to tell captivating visual stories, you have the passion and the necessary skills. It doesn’t matter whether you want to create powerful short films about global issues or take videos of your friends on vacation: all it takes to start being a successful videographer is strong photography skills.
Join VII Agency photojournalist Jessica Dimmock for this class, and you’ll learn:
- How to storyboard to create a strong narrative
- How to properly capture sound and voiceover while on a shoot
- How to shoot for an editor and to think with the edit in mind
Jessica has traveled the world in the pursuit of powerful stories. Her work has been published in publications like the New Yorker and Time, and has been exhibited in galleries around the globe. Her skill with a camera allowed her to pivot into videography, where she created music videos, short projects and feature films. Becoming a filmmaker as well as a photographer opened up a new form of media for her stories – and doubled her day rate. Draw in new clientele and start expressing your creativity in new ways!
JESSICA DIMMOCK
Director/Cinematographer Jessica Dimmock is the recipient of the 2014 Infinity Award for Photojournalist of The Year from the International Center of Photography and the 2013 World Press Photo top prize as the director and cinematographer of the web feature “Too Young To Wed.” In 2010, Dimmock won Kodak’s Best Cinematography Award at the Hamptons International Film Festival for WITHOUT, which she also co-produced. The film received an Independent Spirit Award and was nominated for a Gotham Independent Film Award. Jessica and co-director Christopher LaMarca were listed in filmmaker magazine’s “25 New Faces of Independent Film” in 2014. Their upcoming feature, the Pearl, is supported by the Sundance Documentary Film Program and the Ford Foundation and is edited by three-time academy award nominee Fiona Otway. Her clients include the United Nations, HBO, CNN, Showtime, Doctors Without Borders, The New Yorker, The New York Times Magazine, and Aperture.
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