*** Proof of Product ***
Exploring the Essential Features of “Michael Clark – The Professional Photographer’s Digital Workflow”
- 47 Video lessons in HD
- 9h 58m of class content
- Exclusive bonus content
LESSONS
1. Class Introduction
2. Shooting Workflow: Set-Up The Camera
3. Shooting Workflow: Histograms And Exposure
4. Shooting Workflow: Sensor Cleaning
5. Overview Of Color Management
6. Color Management: Monitor
7. Color Management: Workspace
8. Color Management: Monitor Calibration
9. Color Management: Do I Need This?
10. Introduction To Lightroom®
11. Download & Import Images With Lightroom®
12. Lightroom® Preferences
13. Six Ways To Speed-Up Lightroom®
14. To DNG Or Not To DNG?
15. A Logical Editing Process In Lightroom®
16. File & Folder Naming In Lightroom®
17. Batch Renaming In Lightroom®
18. Entering Metadata In Lightroom®
19. Managing Images In Lightroom®
20. Introduction To The Develop Module In Lightroom®
21. Lightroom® Develop Module
22. Sharpening, Chromatic Aberration & Vignetting In Lightroom®
23. Graduated Filters & Spot Tool In Lightroom®
24. Converting Images To Black & White In Lightroom®
25. Creating Panoramas In Lightroom
26. Creating HDR Images In Lightroom®
27. Lightroom® To Photoshop® Workflow
28. Export Images To Photoshop®
29. Finalizing Images In Photoshop®: Basic Adjustments
30. Finalizing Images In Photoshop®: Retouching
31. Finalizing Images In Photoshop®: Saving Master Files
32. Make Fine Art Prints: The Cost
33. Make Fine Art Prints: Ink Jet Printers
34. Make Fine Art Prints: Ink Jet Papers
35. Make Fine Art Prints: Understand ICC Profiles
36. Make Fine Art Prints: Sharpen Image
37. Printing From Photoshop®
38. Printing From Lightroom®
39. Compare Monitor To Physical Prints
40. Printing Black & White Image
41. Extended Workflow: Back Up Images
42. Extended Workflow: Storage Options
43. Extended Workflow: Archiving Images
44. Submitting Images To Clients
45. Prepping Images For Social Media
46. Alternative Workflows
47. Final Q&A
CLASS DESCRIPTION
Know How You Want To Edit Before You Take The Image
Setting up a practical and efficient workflow with your photography feels like a daunting part of your business. Internationally recognized photographer Michael Clark introduces you to techniques to allow you more time to shoot the images you want. His workflow philosophy is that you must first know how you are going to edit the image in post production to know how you need to shoot it.
In this class Michael teaches:
- Best practices for a shooting workflow from setting up your camera to histograms and exposure
- How to clean the sensor on your DSLR camera
- Color management workflow including your work environment and monitor calibration
- An overview of Lightroom® and multiple ways to speed up your workflow including file folder and batch naming as well as metadata and archival processes
- Techniques to finalizing your images in Photoshop® with basic adjustments and retouching
- Making fine art prints, choosing your printer, paper, understanding ICC profiles, and much more!
Michael covers everything you need to know in order to streamline your post production workflow in Lightroom® and Photoshop® and best practices for printing your art at home. Digital photography is far more complicated than shooting film ever was. Knowing the best practices for a digital workflow will make you a better photographer.
MICHAEL CLARK
Michael Clark is an internationally published outdoor photographer specializing in adventure sports, travel, and landscape photography. He produces intense, raw images of athletes pushing their sports to the limit and has risked life and limb on a variety of assignments to bring back stunning images of rock climbers, mountaineers, kayakers, big-wave surfers and mountain bikers in remote locations around the world. He uses unique angles, bold colors, strong graphics and dramatic lighting to capture fleeting moments of passion, gusto, flair and bravado in the outdoors. Balancing extreme action with subtle details, striking portraits and wild landscapes, he creates images for the editorial, advertising and stock markets worldwide.
As a former physicist Michael has worked on both sides of the technical revolution – helping refine the technology and using it for his current profession. Michael has worked as a professional photographer since 1996 and added digital photography to his repertoire in 2003. While Michael still shoots some film, mostly medium format, the lion’s share of his images are now produced with high-resolution digital cameras.
He has been featured in Digital Photo Pro (December 2011), Outdoor Photographer (September 2001), Nikon World Magazine(Summer 2006), Digital Photographer (UK, 2010), Rangefinder Magazine (May 2010), and New Mexico Magazine (2007) for his work with extreme sports. Digital Photo Pro proclaimed Michael a “Master of Adventure” Photography in their 2011 Masters issue.
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